any attractions there? historical places , any other architectural magnificent buildings that can be more interesting
hi there,only a link for you with attractions, and a map for directions..
New Orleans Music
Where can you go to catch a world class musical performance with plenty of room to dance? The 700 block of Royal Street is where it’s happening. You’ve got Rouses’ (the old A&P) grocery, a regular stop for French Quarter visitors and locals who love New Orleans music alike. Across the street is Forever New Orleans, and Alex Beard recently opened an art gallery a few doors down on the corner of Royal and Pirates Alley (you can actually watch him paint in the window sometime, very cool). Gallery 713, a local favorite, is opposite him. But the crowd in the street is gathered around a group of local street musicians known to frequent this block. They are here to see the Queen, Doreen – The Clarinet Queen of New Orleans Music.
Doreen and her husband Lawrence Ketchens have been international ambassadors for New Orleans music and culture on radio and televisions around the world.
While they are available for weddings and special events, Doreen and her band of jazz musicians have been bringing their brand of music to the Crescent City streets for twenty years or so. A fixture on this stretch of Royal they will have even the most rhythm challenged tapping their feet and moving to the beat.
As Doreen says in one of her songs “I’m the Queen of the clarinet, been around the world ain’t heard better yet” and I say “Amen!” The group has several CD’s available for purchase. You can visit their website: www.doreensjazz.com
These show stealers will capture your hearts with just one stanza of their rendition of “Little Liza Jane” as they did mine. It is obvious these amazing performers play for the absolute love of it because their heart and soul are in every note. If you want to hear a song the speaks to the heart of New Orleans Music and a musician that is part of the heart of New Orleans music this is the place to go.
Stop by and hang out with Doreen, Lawrence and the crew next time you find yourself on Royal Street. Hey y’all, don’t forget to leave a little something in the bucket and help support New Orleans Music and Doreen – The Clarinet Queen!
By S.D. Talbot
New Orleans Music Doreen – The Clarinet Queen
Desbundixie in Aljustrel Jazz Festival
Duration : 0:3:58
I am planning on going for my 18th birthday and I was just wondering if I could get into a few clubs. I am planning on staying at a hotel on Bourbon Street and everything, but I don’t want to go if I can’t party. I know you have to be 21 to drink though…
I live in New orleans and have been going to the clubs before I was 17 most of the clubs on bourbon or in new orleans dont ask for ID as long as you look legal your in. your gonna have fun on bourbon anyway you may not even wanna go into a club
Dutch Swing College Band & Mrs. Einstein – Bourbon Street Parade
Burghausen (Germany), 2007 March 17
A popular saying goes: “There are two kinds of music, good music and bad music”. For the true fan of good traditional jazz music the choice is simple, because there is only one Dutch Swing College Band. The Dutch Swing College Band started out as an amateur-college combo on liberation day (1945, may 5th) and through the years it has grown into a worldfamous jazz ensemble that has toured all five continents to much acclaim. The DSC played a prominent role during the post-war period. At the time many youngsters fell under the spell of the original Amerian music: jazz. The band, which has existed for more than sixty years, has given concerts all over the world and the sounds have been registered on practically all types of sound recordings since 1945. The band also appeared frequently on TV and in film productions. Through the years many big names in jazz music were backed by the DSC, from Sidney Bechet, Joe Venuti and Rita Reys to Teddy Wilson. The expression “The Haque School” was born out of the big influence of the DSC on the Dutch jazz scene. Deservedly many jazz fans consider the DSC almost as an institution. Fortunately, the Dutch Swing College Band has never presented itself as a show or glitter orchestra. The musicians have always succeeded in capturing the public’s attention with their excellent jazz performances. Cheap show tricks were absolutely out of the question. In 1960, the DSC turned professional. Throughout the music’s evolution and in spite of quite a number af personnel changes (and contary to many imitators) the DSC remained the showpiece of Dutch traditional jazz music. Bob Kaper heads the current line-up, in succession to Frans Vink Jr (1945-’46), Joop Schrier (1955-’60) and Peter Schilperoort (1946-’55 and 1960-’90). From the very beginning the most striking characteristic of the band has always been its unique and recognizable sound. In other words, no recordings of American virtuosos were ever copied: the DSC created their own interpretations, arrangements or compositions. An entirely personal approach. The current line-up of the highly experienced band has proved that the old name Dutch Swing College Band still guarantees professional performances of traditional jazz music of international standard!
Duration : 0:2:19
Long time readers of the tipsheet know that the guru and her husband often go to the New Orleans Jazz and Heritage Festival. If you aren’t sure what that is, check out www.nojazzfest.com. If you want to know what others are doing in New Orleans check out the webcam at Tropical Isle on Bourbon Street anytime after 6:00pm or so…
As usual, in the midst of three days of fun, frivolity and fantabulous jazz I, of course, got to thinking about advocacy. I mean, wouldn’t you? And this wasn’t just in a daiquiri-induced haze while wandering around the French Quarter. No, in fact, I was struck by the similarities between Jazz Fest and every advocacy campaign with which I’ve been ever been affiliated.
Following are five techniques you should use to get you through any advocacy campaign – or music festival for that matter.
Strategize: One does not just walk into Jazz Fest and wander around. With eleven stages offering up multiple acts, only careful planning will ensure that you’ll catch what interests you most. At Jazz Fest, this tactic applies doubly to your food options. Before the festival, my husband and I looked over the musical acts and decided what we wanted to see in about ½ hour. We spent another 3 hours drooling over the food. Jambalaya. Bread Pudding. Po Boys. Muffalettas. See, no one can eat everything. But you can eat some of everything with a good plan – and stretchy pants.
The same applies to your advocacy efforts (the strategizing, not the stretchy pants). Think of your strategy development in four stages: First, you want to outline your specific goal – usually in terms of dollars or policy outcomes. Then you want to look at the variety of ways to reach that goal. For appropriations, for example, this might include earmarks, additional line item funds or even report language directing the agency to spend more. Third, consider the competition, distractions and road blocks standing in your way, such as other worthy programs in need of funding (yes, there are a few). Finally, in light of all this information, identify your preferred path. We navigated through Jazz Fest using this four step process – I know it will work for advocacy.
Develop Themes: Themes help you develop a strategy and stick with it — even in the face of temptation. Saturday, for example, was “fried things” day in the food court. Sure, I was tempted by the chocolate dipped strawberries and the Veggie Mufaletta. But I had made a commitment to “fried things.” I wasn’t going to let “fried things” down. I stayed focused and the fried green tomatoes and fried eggplant did not disappoint. Then on Sunday I shifted my theme to “things with cheese,” thus reveling in many other delights at the festival.
Advocacy efforts can be as distracting as the Jazz Fest food courts. One moment Congress is happily focused on transportation issues – two seconds later they’re debating the War in Iraq and then the Farm Bill. It can be difficult to stay focused on your issue when 25 different and equally compelling issues are being waived in your face. Don’t be tempted! Find a theme and stick to it through thick and thin.
Improvise: On the flip side, all the strategizing and thematic development in the world won’t help you when all your best laid plans go awry. Maybe that fabulous act (or fabulous Congressman) that you were looking forward to turns out to be not that fabulous after all. Disappointed, for example, in one of the acts I went to see, I stopped by another tent and danced, bopped and shouted my way through a phenomenal show from a blues / soul / jazz artist named Ruthie Foster (really, go look her up). I had never heard of her before and would never have found her if I hadn’t improvised.
Every once in a while circumstances might dictate that you abandon all your strategies and themes and just make stuff up as you go along. Don’t like that member of Congress? Go see if you can find a new one. Aren’t pleased with how the legislation is progressing? Find new and creative ways to change it in to something you can support.
Build Coalitions: On Saturday I parked myself in front of one of the three main outdoor stages and waited for one of the acts I REALLY wanted to see later in the day – Santana. I quickly became dependent on the kindness of strangers – as they became dependent on me. See, when you’re smack dab in the middle of a throng of 10,000 people, it’s hard to get out. So we built alliances and assigned jobs. Some people had the job of foraging for beer. Some went for food. Others shared umbrellas (as shields from the sun). My job was to help coalition members map out the shortest route from our fiefdom to the outside world. Without their help, I’m not sure I could have survived 8 long hours in the 90 degree heat.
Effective advocacy campaigns rely on coalitions as well. Maybe your partners aren’t helping you get beer – but in a winning coalition everyone performs specific tasks that keep the group moving toward the mission.
And, of course, there’s persistence. Votes won’t always go your way. Legislation won’t always be introduced in a timely fashion. The food court might even run out of Spinach Artichoke casserole (hey, it happened). But every year it gets a little easier and you learn a little more. You learn to bring your mud boots with you in case it rains. You learn to buy your sweet potato pies from Mr. Williams’ pie stand on Friday because he attends church on Saturday and will not be selling pies. You learn to stuff yourself with spinach artichoke casserole as soon as you get to the festival. Armed with this information (and enough beer, sunscreen and advocate motivation) you will be able to persevere until the fat lady (or Santana) sings.
You can attend any of the several New Orleans cooking schools that are situated at various locations. People from all over the world come to attend these cooking schools in New Orleans due to its unique cultural areas in the country. This information regarding the unique culture of this region is difficult to find elsewhere in the world.
You would be taught different types of cooking abilities so that you can cook great food and gain a lot of experience. What is special about cooking schools in New Orleans is the traditional Cajun cooking. You would have to explore a little more if you want to learn this traditional Cajun cooking.
Most of the people are unaware of the requirements that should be essential in a school. Cooking schools would serve you more than just teaching about the foods available in the region. You would be endeavored with the folklore and culture of this region. There is a story behind every lesson you learn and dish you cook which makes it more interesting. You can learn all this also in a cooking school in New Orleans.
If you are looking for a New Orleans cooking school to gain experience of cooking then you should choose from numerous selections available to you. You can visit several schools to gain knowledge about the types of offers they have for you and the level unto which they can fulfill your requirements. Although you can learn a lot from their website, but visiting personally would help you understand their school mission and style in a true sense. You would be happy to know that they will also let you taste the great food of this process also.
You should also study about the goals and history of the school whenever you visit any of the New Orleans cooking school. It would be easy to understand the current functioning of the business once you understand the thought behind the detailed history and professionals or educators. It is very important that you understand how New Orleans cooking school would help you achieve your goals.
Therefore, it is necessary to do research about several New Orleans cooking schools situated at various locations before you opt for one. If you have to invest your time and money to learn the character and culture of these schools then why not search for the best one. New Orleans cooking schools offer you an opportunity to excel in your field and achieve you dreams by getting this world class cooking education.
So, what are you waiting for? Hop online and do proper research before you join any of this world class New Orleans cooking schools.
Could I carry a decent sized pocket knife while walking up and down bourbon street? Going into bars and shops? Laws down there? Never been there before.
as long as the blade is not longer than 4 inches it’s not a problem.
but wearing it say on your belt, in a holder is not recommended as the policemen/bouncers may ask you to leave it at home or in your car.
so carry it if you want but keep it in your pocket or out of sight.